{"id":88,"date":"2008-07-13T12:00:00","date_gmt":"2008-07-13T12:00:00","guid":{"rendered":"http:\/\/www.digitaldin.com\/?p=88"},"modified":"2008-07-13T12:00:00","modified_gmt":"2008-07-13T12:00:00","slug":"the-h-clamp-microphone-clamp","status":"publish","type":"post","link":"http:\/\/www.digitaldin.com\/?p=88","title":{"rendered":"The H-Clamp Microphone Clamp"},"content":{"rendered":"<p>One of the issues that I&#8217;ve always dealt with is getting a good, consistent mic signal from a guitar or other stringed instrument, especially in the studio. Once you get the distance, angle, and orientation set, the player starts playing and moves around &#8211; and the whole thing gets out of whack. Plus, who wants to sit stock-still while trying to record a guitar part? You just end up with a stiffly-played, unevenly recorded part. <\/p>\n<p>No fun.<\/p>\n<p><a href=\"http:\/\/www.gollihurmusic.com\/product\/images\/micholder3.gif\"><img decoding=\"async\" src=\"http:\/\/www.gollihurmusic.com\/product\/images\/micholder3.gif\" border=\"0\" alt=\"\"><\/a>That&#8217;s where the H-Clamp comes in; it&#8217;s a very simple &#8211; but super-logical &#8211; answer for the need for a stable mic holder for guitar, upright bass, and a host of other acoustic instruments. Made by a UK-based manufacturer called <a href=\"http:\/\/exploraudio.com\/\" target=\"_blank\">ExplorAudio<\/a>, the simply conceived but extremely well-made clamp-on mic boom makes mic-ing up an upright bass, acoustic guitar, etc. <em>easy<\/em>. It is equally at home in the studio and on stage. <\/p>\n<p>Made of durable and lightweight alloys and composites, it doesn&#8217;t load up your instrument too badly, and its instrument contact points are covered with silicone and other protective surfaces to prevent damage or scratching.<a href=\"http:\/\/www.gollihurmusic.com\/product\/images\/guitarclamp2.jpg\"><img decoding=\"async\" src=\"http:\/\/www.gollihurmusic.com\/product\/images\/guitarclamp2.jpg\" border=\"0\" alt=\"\" hspace=\"10\" vspace=\"10\"><\/a> The boom can hold most mics; you can use an optional shock mount for isolation purposes. And since it&#8217;s a boom, you can adjust the mic&#8217;s positioning pretty freely. It allows for a large variety of placements, angles, and positions. And of course, where you place it on the instrument is pretty much up to you. So if you prefer the &#8220;off-axis towards the soundhole&#8221; option or the &#8220;pointed at the 12th fret&#8221; position, you can pull it off.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/_jO3Jysp6vLE\/SHY5J1f-gkI\/AAAAAAAABFg\/KZ5mIRoIFJ8\/s1600-h\/hclamp.JPG\"><img decoding=\"async\" src=\"http:\/\/2.bp.blogspot.com\/_jO3Jysp6vLE\/SHY5J1f-gkI\/AAAAAAAABFg\/KZ5mIRoIFJ8\/s320\/hclamp.JPG\" border=\"0\" alt=\"\"><\/a>ExplorAudio makes several different models; a version for acoustic guitar, a version for Cello, a version for Upright Bass, and a version for &#8220;Extra Deep&#8221; Bass (for basses of unusual depth). They also make a &#8220;Guitar Plus&#8221; version which includes three separate depth shafts, allowing you to get one H-Clamp for multiple instruments. Very cool! The photo to the right shows my H-Clamp on my carved upright bass; it&#8217;s holding one of my Oktava MK-012 small-diaphragm mics.<\/p>\n<p>The only place I know of to get these things in the USA is <a href=\"http:\/\/www.gollihurmusic.com\/manufacturer\/51-EXPLORAUDIO.html\" target=\"_blank\">Gollihur Music<\/a> &#8211; of course, I happen to work there. We always have them in stock, and the feedback from other musicians has been very positive. I have a couple of them in my home studio, and they&#8217;re definitely money well spent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the issues that I&#8217;ve always dealt with is getting a good, consistent mic signal from a guitar or other stringed instrument, especially in the studio. Once you get the distance, angle, and orientation&#8230;<\/p>\n<p>\n\t<a href=\"http:\/\/www.digitaldin.com\/?p=88\" class=\"more-link\">Read more<\/a>\n\t<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-88","post","type-post","status-publish","format-standard","hentry","category-studio"],"_links":{"self":[{"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=\/wp\/v2\/posts\/88"}],"collection":[{"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=88"}],"version-history":[{"count":0,"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=\/wp\/v2\/posts\/88\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.digitaldin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}